Set in a fictional world around the 1960s, “Never Let Me Go” posits the average human life expectancy has been raised to one hundred years old with the help of science cloning “donors” who are raised in boarding schools to adulthood, when their organs are harvested as spare parts. This process was an accepted norm in this world where teachers kept their students blissful and idyllic while raising them to accept their fate.
Carey Mulligan (“An Education,” and this weekend’s “Wall Street: Money Never Sleeps”) stars as Kathy, a young girl at one of these surreal boarding schools. She grows up with a crush on Tommy, played by Andrew Garfield (who gets star turns in the upcoming films “The Social Network” and the upcoming Spider-Man reboot). All the while, her best friend Ruth, portrayed by Keira Knightly (“Pirates of the Caribbean”), does her best to keep Tommy to herself. Kathy grows up to become a sort of hospice caretaker for the dying donors.

Many years later, after the children have grown, the three reunite to share a journey that leads to redemption and fulfillment. Toward the end of this journey they meet up with their childhood school teacher played by Charlotte Rampling who reveals to them their particular school’s experimental purpose. This purpose was thwarted by the powers that be, but not without affecting the occasional alumnus. Kathy’s journey leaves the viewer feeling a need to fulfill one’s dreams and desires. Speaking of desire, the message I took from ‘Never Let Me Go’ was not different than the one I took from Wim Wenders’ masterpiece ‘Wings of Desire’ — It’s not how much time you spend on this Earth, it is whether or not you live and love while you are here.
Without reading the Kazuo Ishiguro novel from which the screenplay was adapted, it’s easy to look at the subject matter and moral arguments of the story as possibly too difficult to capture in a feature-length film. The producers chose the proper writer in Alex Garland to write the adaptation – his best-selling novel The Beach was brought to the big screen by Danny Boyle ten years ago. The energy and passive tension director Mark Romanek draws from the static shots and closeups was impressive, especially seeing that most of Romanek’s career has been spent directing music videos.
On a shallow note, it is the perfect (if not paradoxical) combination of elements of both “The Cider House Rules” and Michael Bay’s “The Island.”
“Never Let Me Go” makes a fantastic presentation of the moral question of cloning, stem cell research and other forms of preserving life by all means necessary. Is it ethical to kill a child to save an adult even if that child is a clone? Do clones have souls? Should we even attempt to know the answer?
With no soundtrack and a somewhat confusing storyline at times, if you have the patience to be flummoxed for an act or two, it’s no stretch to recommend “Never Let Me Go.” Overall, it’s a brilliant film – even if a bit tedious to watch.
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